Tool and Laozi

One of my favorite bands is Tool, and one of my favorites from their albums is title track from "Lateralus". The song has interesting resonances with the idea of wu wei (or non-action) as expressed in the Dao De Jing.

Wu wei literally means "without action", but it does not really mean to do nothing, sitting on the couch and letting the world pass you by.  Instead, it is a way of being in the world, contributing to development and flow of things, without excessive thinking or control of the situation.  Many poems in the Dao De Jing explore this idea--we need to open ourselves up to the depth of the situation as it is, not only so that we can experience it fully, but also so that we can respond in the best and most productive way.  Laozi urges us to "cultivate emptiness" (Dao De Jing 16, trans. Addiss and Lombardo) so that we can be open to the experience as it is happening.  Rather than imposing our own expectations and desires, we encounter life's mystery (Dao De Jing 1).  As Laozi explains,

"Things grow and grow,

But each goes back to its root.

Going back to the root is stillness.

This means returning to what is.

Returning to what is

Means going back to the ordinary.

...

Understanding the ordinary: Mind opens.

Mind opening leads to compassion,

Compassion to nobility,

Nobility to heavenliness,

Heavenliness to the Way." (Dao De Jing 16)

Similarly, Tool's song "Lateralus" begins by taking us back to the root of our humanity--the experience of a baby:

Black

Then

White are

All I see

In my infancy

Red and yellow then came to be

Reaching out to me

Lets me see

The baby's experience of the world begins with basic black and white, no colors, with no definite understanding of the shapes and forms and objects she is seeing.  But colors and objects begin to arise, the experience "reaching out" to the baby's developing mind.

But the chorus of the song describes a problem:

Over-thinking, over-analyzing separates the body from the mind.

Withering my intuition, leaving opportunities behind.

The baby is purely receptive, learning, growing, engaging the world with playful spontaneity. But as adults, we lose the attitude of wu wei.  We desire to understand, to control, and to effect the results that we expect and want.  Unlike the baby, who experiences unmediated reality, we over-think and categorize until we cannot react in an intuitive, embodied way any longer (see Dao De Jing 2).

The song's climax expresses a wish for a different kind of relationship:

Feed my will to feel this moment urging me to cross the line.

Reaching out to embrace the random.

Reaching out to embrace whatever may come.

I embrace my desire to

I embrace my desire to feel the rhythm, to feel connected

Enough to step aside and weep like a widow

To feel inspired, to fathom the power,

To witness the beauty, to bathe in the fountain,

To swing on the spiral, to swing on the spiral,

To swing on the spiral of our divinity and still be a human.

In the mindset of wu wei, you don't impose upon experience.  You reach out and embrace it, taking in whatever comes. You feel its rhythm, weep, dance, breathe in the beauty that life has to offer.  You can do this only when you disengage your will to categorization and control.

I'm reaching up and reaching out.

I'm reaching for the random or whatever will bewilder me.

Whatever will bewilder me.

And following our will and wind

We may just go where no one's been.

We'll ride the spiral to the end

And may just go where no one's been.

Being bewildered, losing control, not understanding--these are components of a deep experience.  As Laozi says

I have the mind of a fool,

Confused, Confused.

Others are bright and intelligent,

I alone am dull, dull,

Drifting on the ocean,

Blown about endlessly.

Others have plans,

I alone am wayward and stubborn,

I alone am different from others,

Like a baby in the womb. (Dao De Jing 20)

So we return to where we began--the baby.  I have often puzzled about this poem in the Dao De Jing.  Why is good to be confused, dull, wayward?  But Tool's song puts poem 20 into context:  It's often a good sign that you are bewildered and confused about life.  It's evidence that you are truly experiencing it.